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A group of people standing in a room with a man holding a violin
1 Feb 2020

A Man’s A Man For A’ That

Alistair McCulloch plays the Gregg violin in the home of Frederick Douglass – writer, orator, abolitionist campaigner (and Burns fan!).

A man holding a violin, with Lulu, the singer, in a black hat and tartan scarf
31 Jan 2020

Gregg violin mingles with the stars at the BAFTAs in Los Angeles

The Gregg violin is played at a Burns-themed BAFTA bash in Los Angeles.

A man plays a violin, in front of 5 people wearing Highland dance outfits
25 Jan 2020

Birthday bash in Boston – violin leads the celebration of the National Trust for Scotland Foundation USA

The Gregg violin takes centre stage to celebrate the 20th anniversary of the National Trust for Scotland Foundation USA in its home town of Boston.

A group of people in a classroom examining a violin
23 Jan 2020

Violin lessons in Boston

The Gregg violin visits North Bennett Street School in Boston – a leading centre for craft skills in the USA.

A lady in a long tartan skirt holding a violin sits with a young girl in a tartan dress to her right, a man standing behind her holding a violin, and a man to her left with a cello.
22 Jan 2020

Chicago Scots greet Gregg violin

The Gregg violin was played in Chicago for the first time during a musical celebration of Robert Burns, arranged by Rachel Barton Pine, and hosted by the Chicago Scots.

Papers fly from an old writing desk towards a plough, in Robert Burns Birthplace Museum
21 Jan 2020

A Man’s A Man For A’ That

Written in 1795, this is one of Burns’s last works. It has become a firm favourite in Scotland, and was sung at the opening of the Scottish Parliament in 1999.

A man playing a fiddle to a group of people in a large hall
21 Jan 2020

Warm welcome in New York for Gregg violin

The Gregg violin gets a warm welcome in sub-zero New York at two events organised by the Burns Society of New York and the American Scottish Foundation.

A stone carving of a rose, with the title of A red red above
20 Jan 2020

My luve is like a red, red rose

Said to be Bob Dylan’s greatest inspiration, this little poem is one of Scotland’s most loved songs.

A large statue of a mouse sitting up on its hind legs with its tail wrapped around the base.

To a Mouse

One of his best-known earlier poems, Robert Burns wrote this in 1785 whilst working as a farmer (it’s been said he literally wrote it in the field). It appeared the following year in ‘Poems, Chiefly in the Scottish Dialect’.