Dancing in Georgian Edinburgh

As there was no formal dance education in the UK at the time, we often know very little about dancing masters’ training. However, Strange’s advert sheds some light on his development as a dancer. He states he had studied dancing in London with Sir John Gallini, an Italian-born dancer, choreographer and impresario working at Covent Garden and King’s Theatre (now Her Majesty’s Theatre, Haymarket). In addition, Strange took lessons from prominent French dancers Maltere – a teacher to the French royal family – and Vestres – principal dancer at the Royal Académie of Dancing in Paris. Importantly, Strange held some ‘certificates of approbation’ by these prominent dancers. The name ‘Mr Strange’ was also spotted on a few theatre adverts in 1760s in London and Manchester. However, it does not seem he made a successful career as a performer.

Dance lessons and music

Mary Somerville in her memoirs said that Strange taught her the minuet de la cour, reels and country dances – the typical dance repertoire of the ballrooms at the time. Descriptions of his Pupils’ Balls indicated a wider repertoire, from the ‘minuet with all its variations to high opera dances’. John Clarkson’s publication A Complete Collection of much admired Tunes as danced at Balls and Public’s of the late Mr Strange [...] (1804) perhaps offers a more detailed look. This collection included more than 100 tunes for dances from minuets, gavottes (including a gavotte by Mr Vestres), cotillions, opera dances and solos, as well as more traditional forms such as jigs, hornpipes, reels and strathspeys including Marquis of Huntly’s Highland Fling.

David Strange had several assistants through his career, the best-known being Mr Martin and Charles Stewart. Mr Martin taught in Todryck’s Wynd, the original location of Strange’s school, before moving to Bath where he taught Scottish dances.

Charles Stewart (1784–1818) was practising in Edinburgh between 1800 and 1811. He married Matilda Johnston in 1803 in Edinburgh (sister to Henry Erskine Johnston, a famous Shakespearean theatrical performer). Stewart taught classes, gave an annual ball, and by 1805 advertised A Collection of Minuets, Cottilions, Allemands, High Dances, Hornpipes&c. for the Piano-Forte and Violin, by Charles Stewart, musician to Mr Strange, mostly of his own composition. In addition, he was a leader and a répétiteur (rehearsal accompanist and coach) of the Edinburgh Theatre Royal Orchestra. Charles Stewart was one of the first dancing masters in Scotland who started to publish music from his annual balls – the party playlist of the 19th century! – later followed by Nathaniel Gow for his fashionable balls. One such publication from 1803 can be found in the music book above the square piano in the Georgian House.

As a grand townhouse in the heart of Edinburgh’s New Town, occupied by a wealthy family at the turn of the century and into the Regency period, the guests who would have been entertained here would certainly have had the required ‘polite education’ for the dancing and music that their social sphere required.